I am rather deeply disenchanted with and bored of The Daily Show. This has two distinct, unrelated causes I can identify:
1) One simply gets too old to tolerate its dick-and-fart jokes and potty humour. At this point in my life, I’m looking for more incisive, more subtle and less superficial political satire and social critique.
I don’t know if that problem has a solution, given that the Daily Show’s seeming target is college-aged audiences. But I find myself wishing that, in terms of sophistication, it would graduate along with the early-mid 2000s students who were the engine of its ascent.
2) Trevor Noah is a fantastic and brilliant comedian—if you watch his stand-up from South Africa and the UK.
His gift for accents and languages is uncanny, and his satire of the South African political elite (e.g. Julius Malema, Jacob Zuma) and everyday interactions had me doubling over from the stomach pain of laughter. Watch his old material; if you don’t know much about South Africa, you’ll learn.
Some of my favourite examples on YouTube (always subject to removal, you know how YouTube is) include his treatments of airport terminal announcements, the inclusion of Chinese in the BEE (Black Economic Empowerment) programme, and this rather obscure act poking fun at the frustration of interactions with Johannesburg City Power. And his performances about cultural differences in America need no introduction at this point.
Since that was my first contact with him, that’s how I see the real Trevor Noah. At The Daily Show, I have the acute sense that he’s not being allowed to carry his artistic identity over. He’s being shoehorned into an American dick-and-fart comedian role, and to say that it’s not a natural fit for him is an epic understatement.
I understand that the logic of the show has to have some continuity with Jon Stewart and with the show’s historical inertia, audience and so forth, but he’s not Jon Stewart, and he shouldn’t be.
To really reap the rewards of Trevor Noah as an artist, an observer and a commentator, he must be allowed to be his “South African” self and to bring—perhaps it would be more apt to say, to impose—a distinctly foreign perspective to his American audience, nolens volens.
It might not be what the focus groups tell Viacom executives would sell, but there’s real potential there. Yes, there’s always the spectre of Piers Morgan, and with his demise, the idea that foreign commentators interpreting American affairs and telling Americans how things should be is a fatally unpopular formula. However, I think—perhaps naively and overoptimistically—that the younger and more malleable viewership of the Daily Show would respond better than that of CNN’s, and would have a greater inclination to stretch their brains and grapple with such a phenomenon.
I cringe when I see Trevor forced into various contrivances and artifices of a false pretense of American mass-cultural familiarity. He’s not American, and he shouldn’t be made to pretend as if he is. Low-brow toilet humour and American Millennial lore doesn’t work for him. Laundering facile Internet memes is not his competency. If he could control more of his material and delivery, and tailor it to his traditional style, there would be a show more worth watching.